Broodings from Bear - 2000

Broodings from Barry
02/02/2000 | 02/23/2000 | 03/05/2000 | 03/27/2000
04/14/2000 | 05/07/2000 | 05/13/2000 | 05/27/2000
06/24/2000 | 08/05/2000 | 08/29/2000 | 10/26/2000
11/05/2000 | 11/14/2000 | 12/23/2000

12/23/2000 - Am I the only one who finds this confusing?

Someone up there must have been listening when I suggested that politics and WWF wrestling should meld into one seamless, vastly entertaining humbuggery. I feel like I spent five weeks or so watching a witless verbal smackdown, with all the fake kicks, punches, grunts and bodyslams coming from a bunch of overcoiffed, mouthy suits. The only difference is that in WWF land, the audience actively wants to be lied to. Me, I'm bloody tired of it. If there had been so much as a kernel of rare, refreshing truth in the embarrassing parade of partisan prevarication, I might have been revived, my faith renewed. But no, it was a long peregrination in a desert of pontification, name-calling, grade-school infighting and bone-deep, crushing stupidity. Of course, the day after the dust began to settle, both sides predictably rolled out their "now we must unite after all the terrible partisan warring" speeches. Bipartisanship is a very small, leaky ship, and the rougher the weather, the more hapless fools get tossed overboard. Mouthing formula spin doesn't heal the wounds created by so much calculating, inflammatory lying. Sometimes I feel like our nation is suffering from multiple personality disorder. Yesterday we were bitter, irreconcilable ideological foes. Today we are best buddies, shedding our tough shells of partisan armor and embracing. Am I the only one who finds this confusing?
I already know the answer to that one. Yesterday I passed by a soup kitchen on the lower West Side, and I counted at least a dozen freshly out of work media pundits standing in line, clutching their spoons. They looked sadly addled, as if they couldn't figure out how they'd gone from the spotlight to the breadline in a few short hours. Their new status hadn't caught up with some of them, who were still arguing the finer points of dimples and perforations and punching the air with their little wooden bowls. I felt sorry for these folks, who had the nation's eyes and ears 24/7, and now were thrust cruelly back in the obscurity from which they were temporarily exhumed. I thought, 'Golly, what ever shall we do without the pundits to analyze every crepitation and tell us what to think of all this?' I will miss the rich Schwarzwalderkirschtorte these wheezing idiots served up, mit schlag, saturating the airwaves with their rich emulsion of conjecture and crap. Whoa. No I won't. See - once the lying starts, it's hard to stop it. Deep force of habit. Hey, I learned it from our Leaders...speaking of which, I can now put on my fuzzy slippers, kick back and, as we all must, settle for the evil of two lessers. I think what bugs me the most is that all this hooha was over two such remarkably inferior specimens. I keep wondering if anyone actually liked either of them.
Now for the Truth part. I'll try not to make it too raw. Feeding people truth after a long, strict regimen of lies is a risky proposition. Their systems aren't used to it, and they tend to reject the unrefined truth as too harsh, preferring the smooth, predigested pabulum to which they've become accustomed. Don't worry. It's not political. I'm not that dumb.
I like to do year-end thankyou's, and I usually list all the people who've helped us limp through another year in a tough business. I thank our menagerie of managers, agents, schleppers, tweakers, supporters, fans and amigos. They certainly deserve great thanks. But this year I'd like to thank the guys that make our music possible - my bandmates.
Jeff, Scott, El, Kev - I can't say enough good stuff about you guys. There's the part everyone sees: sublime singers making wonderful music together. The joy I feel being part of the wonderful sound we make I owe to y'all. I know that when we're out on stage, every one of us is trying his utmost to make a beautiful noise with his whole soul. Each one of you is specially gifted in a unique way, and you bring these gifts to our every performance, even when you're weary, sick, and worn out. You guys are pros in the truest sense.
Then there's the part that most people never get to see. Hanging together through the tough times. Laughing at movies, cracking jokes and pulling pranks before shows. Helping to schlep gear, spending long hours lost in strange places, sharing the collective uncertainty over missed connections, family crises, clothing angst. Delight over the growing collection of Rockapellets, holding hope for the future.
I have had the great blessing of being able to join my voice with yours, and make wonderful music time and time again. My work is my play is my joy, and you fine gents make it possible. Thanks.
bear

11/14/2000 - Oops

Hey Darlin's;
I am laughing. Hoo-boy, am I laughing. If you thought I was laughing last month, that was nuthin'. Nuthin', I tells ya. All those smug, down-our-noses condescending nods we gave to all those bungled elections in all those fledgling democracies, well hoo hoo ha ha hee hee ho ho ho HA! What were we thinking? I know what we were thinking. "It can't happen here". Oops.
I think we've done ourselves a big favor as a nation. We've given ourselves a neon sign so enormous that you could see it from deep space. We've shown ourselves in the most tangible, irrefutable way how deeply and neatly we're divided, how completely we are polarized. Could it be any more obvious, any more perfect? What puzzles a lot of the rest of the supposedly civilized world is how acrimonious the polarization seems to be.
When I was living in Italy, it was common for best friends to have extremely controversial and opposite political views, and they enjoyed the lively discourse that arose from their controversy. I would watch them covertly, waving their arms and getting red in the face, and then they'd laugh and sit down to a nice bottle of vino. I envied them that their political convictions didn't seem to impinge on their friendship. Here, we form many of our important affiliations and relationships along party lines, and literally vilify, dehumanize and illegitimately categorize our opposites. Most of the world finds that more than a little puzzling. Aren't we all Americans, they ask? Don't we all stand under the same flag and pledge our allegiance?
We have succeeded in generating the most miserable emotional climate this side of Camarillo, and we all know that, with a country so completely and practically evenly divided, absolutely nothing of any importance is going to get done no matter who eventually ascends to the throne. But natural law defies even the concept of stasis, so nothing will stay the same either. As Lily Tomlin says, things are going to get worse before they get worse. How are we ever going to get anything constructive done if we're at each other's throats all the damn time?
I'm not suggesting anything so radical as seeing the opposition as human, or their interests as legitimate. Let's go on vilifying and categorizing and generalizing about the Other Half; maybe we'll be constructive by accident. Maybe something good will happen on a fluke, but I don't believe in flukes.
In a sad way, we've become the victims of our own voracious appetite for hype. We've come to expect nay demand it of our media. It's part of what passes for excitement in our lives. We get all whipped up over the election, and both sides scream, 'Follow US, for THEY will lead us straight into Hell'. OK. Then it's over, kinda sorta, and we have to live with this huge rift we've created with our own unrelenting, short-sighted formulaic lying. Normally on the day after both sides break out the white flags, friendly smiles, 'just business' shrugs and photo op's, and make kissy-kissy for the still-enflamed and panting rank and file.
But this is all just so MESSY. It's not going like it usually goes. It's not over, and the partisan weenies are charring on the dirty, smoking grill of our media machine. The inevitable post-election-day appeals for unity and conciliation and 'pulling together as one great nation' can't be made in their usual deadpan catatonia. We have to live with our mess, and we're not used to it. Doesn't feel very good, does it?

New Danger Discovered: I've discovered a far more insidious suburban blight than people forgetting bags o' votes locked in their trunks or manically aggressive topiary. Guys in minivans. Big problem. Here's how it works. Single guy=sporty two seater. Family guy=sedan. Car pool=minivan. See, some guys driving minivans think they have to prove that they're not wusses or soccer moms, and some of those minvans are really trucks with retooled bodies and big, fuel-injected engines, and they have more juice than you'd think just looking at them. Put a guy with a whip at his back and a chip on his shoulder behind the wheel of one of these big bombs, and you gotta watch out. The only thing more dangerous is an actual soccer mom at the wheel, trying to prove that inside that soccer mom is a Nascar jockey.

This Just In: Peace nearly broke out in a remote corner of the globe last week. It was a tenuous moment for humankind, but the threatening peace was averted at the last moment by a military coup, 'for the good of the country', the coup's leaders claimed. "Peace would ruin our financial future", they said in a statement to the world press, "and our prime directive is to maintain the profitability of our multinational connections". The 'Peaceniks' were rounded up by squads of infantry and put to work in a factory that produces land mines and baby formula.

Luv,
Bear

11/05/2000 - Is That Just Too Radical?

Hey Darlin's;
After a month of bouncing around the globe, my passport is beginning to resemble a chewed up stamp collection and the bags under my eyes are nearly as impressive as the big overstuffed green duffel that follows me like a loyal gangrenous mongrel. I'll tell ya one thing fer sher: there's nothing like going away, far away, to get some perspective. It's also been a blessed relief to have missed most of the anacrucial smarmy slugfest between RoboDork and Bratman. I did get some of the witty, amused commentaries from Euro tv, and evidently our politics and politicians are quite the laughingstock of the world. So, by the way, are the rest of us albeit for somewhat different reasons, but I'll get around to that.
I know that sounds kinda harsh, but I had to sit and listen to the guffaws of a number of cultured, intelligent, multilingual internationally savvy types as they dissected what we, in our myopic, moronic hyperflatulent press trumpeted as 'presidential debates'. Now listen, I was on a debating team in high school. Anyone with more than a fifth-grade education knows what constitutes a debate, and yet, following each of those disgraceful infomercial charades, we were besieged by a battalion of pudgy, owlish, tweedy media pundits, shamelessly giving us straight-faced 'analyses' of those tortured elliptical histrionics as if they actually contained anything resembling intelligent discourse, let alone actual debate. After the last of those mordent debacles, one of my cynically insightful colleagues had tears of mirth streaming down his face as he said, 'Ach, you Americans are so funny! I haven't laughed so hard since George Sr. threw up on the Japanese Prime Minister.'
So much for Realpolitik. The Austrians, at least, hold us in near total contempt for another, and I confess hitherto unsuspected reason; our veneration of Arnold Schwarzenegger. When I asked about him, since of course I had to make a pilgrimage to the gym in his home town, I got a particularly Teutonic sneer, accompanied by, 'Ahnold is SUCH a loser. Here he vas just a dumkopf, but you, you kitsch Americans - vat a bunch of simpletons. You LOFF him.' OK. Guilty as charged. But it gets worse.
Evidently we were all scammed by another piece of deconstructed Hollywood glitz, and they get a big jackbooted kick out of it. One of the locals made a point of showing me the exact spot where the Von Trapps went waltzing over the mountains at the end of 'The Sound of Music', and between liter tankards of 12% Trappist beer he wheezingly told me that if the Von Trapps had really gone in that direction they would have been walking straight back into the arms of the Nazis. Personally, I think it's just sour grapes. The ubermensch was still pissed that we grounded his Fokker.
Coming home and reading American newspapers again gave me something of a shock, the sort of 'aha' that comes from being temporarily jerked out of one's usual milieu and then dumped back in, slightly skewed and very sleep-deprived. There's a certain giddy clarity that comes from not knowing what time zone you're in for weeks at a time. According to our priapically engorged and prurient press, even when we are at peace, we are always at war with something. We wage war against damn near everything; war on poverty, war on drugs, war on crime, war on homelessness, war on hate, war on cancer, war on hunger, war on prejudice, war on unemployment, war on pollution, war on really bad sitcoms. And we're flat out losing on all fronts. Every single one. It seems like our only paradigm for dealing with all our various problems is to have a war. No, not just 'have a war'. That sounds kinda passive, like 'have a party'. We make wars, we wage wars, we invert our attempts at finding constructive solutions to large, complex social issues into wars.
Wars are simple. There's us, and there's the enemy. Everything becomes neatly polarized, objectified, and we don't really have to deal with the problems themselves anymore. Hey, we've got a war here folks! Here at Ground Zero we're at Defcon Four and there's no room for anything as traitorous as rational, constructive thought. Throw more money and more troops at the enemy, and maybe we'll win. But the fact remains, even with the fuzziest math and the most hopelessly tortured rhetoric, we don't win. All these problems are getting worse, not better. Gee whiz. Uh oh. Maybe war doesn't work.
But what happens if we stop waging these various wars? Won't we be overpowered by the forces of Evil? Overrun, sacked and ravaged like the Sabines? I know I'm wading into deep water here, and I may be unwittingly stepping on many toes buried in the morass of our moribund fascination with conflict resolution through the use of brute force powered by the agenda of accumulating wealth at the expense of a great chunk of humanity. But what if - and this is admittedly a big but - what if our paradigm shifted, if ever so slightly, toward sharing instead of hoarding, giving instead of taking, understanding instead of judging and condemning, helping instead of hurting? What if we actually tried to (gasp) tell the truth instead of habitually lying, and then lying about lying. I mean, what if we waged peace as aggressively as we take to the battlefield?
That means, like, not waiting for the next person to do something before you get your butt off the couch and do something yourself. Lately we've been doing these benefit concerts for food banks, and the saddest thing is that these food banks even need to exist. There really is enough food around to feed everyone on the entire planet, but the fact is that one out of every three people on our planet still goes to bed hungry every day. Whussup widat? What if everyone took one can of food a week and gave it to a local food bank? One lousy can? Would you miss it? Would you go hungry? I don't think so. What if you went through your closet and took out one garment you hadn't worn in a year or two and gave it to the Salvation Army? How big a deal is that? Aren't you tired of seeing photos of starving people in rags and thinking there's nothing you can do about it? Giving money to humanitarian organizations works sometimes, but the word I get from my usual dependable sources inside Unicef is that most of the money and the food gets funneled into the military organizations of the countries receiving aid, and the people, mostly women, children and the elderly, still starve. As a species, we've been using food as an economic bludgeon for ten thousand years. Doncha think that's long enough? Don't enough people starve to death needlessly every bloody day, or do we need to wait for more of our fellow creatures to wither and die for lack of simple nutrition?
I think America spends more money on diet products than some countries spend on feeding their entire populations. We throw away enough food every day to feed an entire country. Doesn't that creep you out, even a little bit? Just turn around and feed someone, give them that sweater you haven't worn in ages but wouldn't be caught dead in. You'll feel better. And you'll be waging peace. What a concept. Or is it just too much of a bother, too inconvenient? Hell, you could even roll down the window of your ASS-U-V and just chuck a can out the window as you roll by the local food drive collection station. Sure, I understand. The more you have, the more you can impress your similarly competitive, bloated buddies. And when you die, surrounded by your huge pile of stuff, everyone will remember how great you were because you were such a selfish paragon of patriotic consumerism. That seems to be how we measure greatness - by the size of your pile. How about measuring your wealth in terms of what you can afford to give away? Or is that just too radical? Am I just using my little bully pulpit to indulge my own Grinchy nature? And speaking of?..

Hope y'all like the Christmas album?.
Luv,
Bear

10/26/2000 - Then I Discovered the Gym

[This piece, along with many photos, was originally published in Rockapella Centerbeat, the great newsletter that goes out to all the tenants in
Rockapella Center, Rockapella's incomparable fan club. Join Rockapella Center and you too can get in on other wonderful goodies like this.]

I discovered endorphins and gyms at the same time. Not having been a particularly graceful, coordinated or athletic kid, the gym let me be very physical and produce all the endorphins my scrawny little frame could handle without the humiliation that inevitably came along with my participation in team sports. I was the little dweeby loser who was always picked last and benched first; the one who never knew the rules, couldn't run, jump, shoot, dribble, throw, catch, bat, pass, receive, tackle, block - and then I discovered the gym.
There I was a puny, mouthy, soft seventh-grader, in a P.E. class full of big, scary seniors. One in particular scared me the most; a big, strong, stupid mean kid whose principal delight was to walk up behind me, hoist me by the throat and dangle me, laughing with his buddies while I flailed and choked. Then he'd drop me on the asphalt and walk away. One day I passed out during this good-natured jesting, so when Stupid dropped me, I just lay there, looking dead. I slowly opened my eyes to a ring of anxious faces, among them the gym teacher. Just the day before, we had been running laps in a line, with the last guy in the line having to run to the front of the line when the coach blew his whistle. I lasted about one lap before I rolled over on the grass and blew lunch on my sneakers.
So the gym teacher took pity on me. He saw that if I stayed in the regular gym class, I'd probably leave junior high in a body bag. He put me in a remedial P.E. class with the other dweebs, scrubs, frails and dims who couldn't hack the real thing. One kid in the class was so fragile he'd broken his leg playing shuffleboard. Another one could run like a deer but couldn't say his own name. And there were weights, lots of weights, and even though the teacher didn't know squat about lifting, he showed me enough to get me pumped. I discovered endorphins. After a while I wasn't getting whupped on anymore. It was nice.
My colleagues are all gifted athletes, and they work out merely to keep the scalpel-like edge on their games and their abs. I'm just addicted to the dope my brain makes when I spend an hour or two sweating like a cartoon dog. Nothing gets rid of that ucky bad flight bad air bad food no sleep feeling quicker than a workout. Especially when you don't feel like it. Thus we find ourselves in gyms all over the planet, amazed at what sometimes passes for a gym/health spa/fitness center. It's like nobody ever really defined it carefully, but I'm still a little disappointed when I ask an oh-so-chipper desk clerk for the way to the fitness center touted in the guest guide, and it turns out to be an airless, windowless closet with one broken treadmill. This is a gym. So is a tiny, drafty space next to a heavily chlorinated indoor pool and dominated by a broken, rusting tinkertoy exercise machine which is guaranteed to injure you. A spa can be a 'hot tub', two degrees warmer than the adjacent pool, with water so viscous that you feel like you're sitting in a tub of tepid jello.
That's the seedy, depressing end of the gym continuum. The other end, when we're lucky, are the marble temples to physical culture, with enough weights, exotic equipment and amenities to gladden even Elliott after a long, hard road trip. I especially like the ones that have really hot hot tubs that look like Roman grottos, shiny 'pump you up' machines that work, and steamrooms the size of Cleveland, staffed by guys who bring you pineapple juice and big fluffy warm towels while you're watching the big-screen tv in the lounge.
In the middle are all the plain old gyms, big steel quonset huts full of mostly plain old weights and a few ratty old exercise bikes, smelling of plain old socks, sweat and macho. There are lots of those, and they make me feel right at home. Gym culture is it's own thing. Simple etiquette, simple rules, simple folks. Everybody chilled out, doing their routines. But sometimes things can get a little strange.

The Skanky Osaka gym:
Most of the 'gyms' in Japan are polite, maniacally clean little spaces, with the heaviest hand weights about fifteen pounds, or thereabouts in metric. There may be a few spotless aerobic gizmos and some mats on the floor. Everyone works out in their clean white socks, and nobody sweats. This place is a notable exception. I don't know it's name, but I know how to get there. It's down a little street, up five flights of stairs, across a roof and up another couple stairs. There's a little sign of a cartoon strong guy hanging outside the door. The gym is one room, crammed with serious hard-core lifter gear, old plates, bars and benches, and running around all four walls are photos of the glitterati who have worked out there. Michael Douglas pumped it up there while filming 'Black Rain'. Arnold himself worked out there. I nearly died there.
It was cold. I was trying to get as far away from the kerosene jet heater sitting next to the two exercise bikes in the corner as I could and still be warm enough to move. I was sitting on the small parcel of vacant floor, doing my ritual pre-grunt stretching, trying to push my largish limbs into positions they weren't meant to assume, when this little, cheery guy plops down right in front of me, wedges his feet up against my ankles so my legs are now in a wide, fibrillating vee, grabs my arms, and starts to pull. My hips feel like they are slowly dislocating. I'm begging the guy to stop, politely of course, and he's chattering on and smiling and I'm getting desperate. He yanks again, I hear something snap, and decide that the language gap is unbridgeable in time and I'll have to paste this joker or he'll shortly dismember me.
The owner, watching the whole thing, sees the look of dumb desperation in my eyes. He hurries to my side as I deliberate whether a blow to the nose or a quick ear-cuff will stop the pain faster. He leans over and whispers in my ear, "karate sensei", meaning this guy who is torturing me is a very tough cookie; a bigtime martial arts teacher, and whatever I am thinking about doing I should forget about fast because this guy would mop the tiny floor with me, so I should just let him take me apart because it's the only alternative I might walk away from. So I did. I just hobbled for a few days.

The World-Famous Miami Hotel Spa;
One of those world-class marble and glass jobs, with deluxe everything and an ocean view, where I was looking forward to spending a happy afternoon sweating, soaking, and steaming, getting high on endorphins and the wonderful sybaritic spa. I was about halfway through a leisurely workout when this dreamcreature entered the gym. She was a giant golden Barbie in an aqua spandex skin, sent to earth from the perfect babe factory in heaven to taunt us in our brute imperfection. She just stood in the doorway and sucked all the air right out of the room. There were a few other guys in the gym, so I looked around and there was not a weight moving, no one even breathing. Every Joe in the place was paralyzed. She undulated thrillingly in her strange little vacuum for about twenty minutes, while we tonked around a little, pretending to do sets and trying uselessly to look anywhere else. When she floated out, the whole room let go with an involuntary moan of grief.

Soap World;
There's a place about an hour outside of Tokyo that isn't really a gym. It's a multistory indoor playland, dedicated to hot baths, massages, food and karaoke. It's a family place, with the men's and women's bathing areas on different floors. After everyone gets all nice and pruney, they congregate and eat, drink, sing, get rubbed and pass out in long rows of barcaloungers. One of the unique features of the place is that, after all the soaking but before wandering around the rest of the place, everyone puts on this bizarre, pseudo Hawaiian clothing. The men all wear shorts and loud shirts, and the women wear uniform muumuus. It looks like a bunch of extras from Blue Hawaii who got lost in a Japanese happy happy fantasy.
In the middle of this delightful sensorium, an Important Cultural Difference made itself known to me. The Japanese think nothing of having female locker room attendants in the men's locker room. True, they are wizened, round, and dentally challenged, but when you're not used to it, it does come as something of a shock. It started to dawn on me between soaks while I was visiting the loo, when I glanced over my shoulder and realized that a woman was scrubbing the floor right behind me. I affected nonchalance, but I'm sure that all of me turned red. This was an invaluable first encounter, and sort of prepared me for what happened next.
We had all poached ourselves into a blithe coma, and it was time to suit up and meet our muumuu'd counterparts. Well, there's this platoon of crones issuing the uniforms in the locker room. The other guys get fitted, no problem. All of them wear a Japanese XXL. Then it's my turn. The septuagenarian crew looks me up and down, frown, look at each other, and bust out laughing. I don't have to speak Japanese to know what they're all saying; no effin way are we gonna stuff this gaijin into a Don Ho suit. Then they huddle. There's a lot of talking and pointing and head shaking. One of them bows and runs out of the locker room. I'm wishing I had at least a towel, and I'm starting to shiver. The one who ran out returns, triumphally waving a pair of boxers that must have been left by some Sumo dude. A few safety pins later I'm just another Hawaiian, and I can still hear the locker room ladies cackling all the way down the corridor.
I'm having the eerie feeling that I wrote about this place before, but somehow forgot about it while I was busy living, and I am repeating myself. If I am, I hope that this is a better telling of it. (Hey, the experience really left a mark on me.) If I didn't, well, good for me, and whip me up a gingko biloba smoothie.

There's one thing that's happened to me in every gym I've ever been in anywhere around the world. Maybe it's just me, but it seems that no matter how large the locker room, if there are only two guys in it, their lockers will be right next to each other. The place could be huge, and the one other jock in the whole place is trying to open the locker next to you, dripping on you and apologizing while you try to shove your stuff out of the puddle he's making on the floor. This happens to me all the time. No matter where I sit, some lone dork is going to drip on me and my stuff. Even supposing that it isn't just me, and since I don't believe in accidents, this would tend to indicate that the Universe operates at an even higher rate of irony than I had previously supposed. And that troubles me.
So: the official release date for Rockapella Christmas 2000 is October 24th! I am so jazzed. We will be in Japan. Oh well. That's the high rate of irony at work.

Luv,
bear

08/29/2000 - What are these idiots doing now?

Hey Darlin's;
Never again will I do this. Never. There were so many funny submissions in our misbegotten fill-in-the-blanks competition that my initial plan to choose the winner on the basis of my own amusement quotient has gone by the boards. They were all funny, or at least had original funny moments that begged to be published. Over the last couple months, when I haven't been buried up to my gruzzy pits in recording or walking a picket line to support the SAG/AFTRA strike, I've been culling the entries, and I've gradually winnowed the survivors down to a measly ten. In an unhealthily obsessive desire to be impartial to all you hilarions who parted company with some of your mental juice and possibly your reason, I devised a scientific method for accurately measuring the haha content of your entries.
In the BassMint, I connected a microphone to my computer's frequency analyzer. I then read the entries (silently to myself, without moving my lips), and when the funny, trenchant, piquant, incisive, scabrous comments caused my diaphragm to contract in a spasm of mirth, thereby causing me to expel hot air and harsh noise from my nose and mouth into the microphone, I would freeze my spectral mirth on the computer screen. After plotting an average curve for the compiled graphs, I took the sine of the peak average, squared it by a factor of 'x', and subtracted the average factor 'f' from the nadir point of the compiled graphs. My system worked beautifully, but I am still left with ten solid contenders and a hefty wad of almosts. My only recourse is to declare a ten-way tie. I know that means more work for me, but I brought this upon myself in my myopic enthusiasm, and the elephantine pavane of my thought process hasn't come up with a better solution. And knowing me as I do, I don't expect things to improve.
Remember my haranguette about our general lack of respect for intellectual property? Well, some wonk out there in cyberland jacked a few of my bonbons out of their comfy, hyperbolic context, and used them to do a slime-job on our record label. I guess that's one of the pitfalls of scattering intellectual property like chaff on a populist medium with an indigenous population of phobic wankers. Ya just never know. Things between us and JBird are really quite peachy these days, and we're looking at a late October/early November release for our sparkly, instant classic Christmas record and discussing a studio album for 2001. My pseudoliterary flailings, couched as they are in a fustian, empurpled style of writing that probably saw its heyday in late 19th century muckraking, are a lousy source for purely factual info. The only conceivable reasons for quoting me are to entertain, morally uplift, or to make the very shallow and base impression of someone with a large vocabulary and a squiffy sense of propriety. Bottom line; this ain't reportage here, darlin's. I am having what passes for fun in some very kinky circles. I am not saying that at times there isn't a kernel of subjective truth buried in my baroque churnings, but c'mon.
About that Christmas record. I was over at The Mighty Andy's Polywog Recording Company last night, dumping bass tracks into the Platinum Mac, hangin out and listening to tracks of some Japanese thrash punk band that Andy had produced, and we got to talking about the experience of recording Rockapella, more specifically the Christmas tunes we recorded all together in the seraglio-like Polywog live room. Andy, who looks rather like a mischevious cherub anyway, took on a seraphic shimmer as he talked about what it was like to luxuriate in the middle of that sonic bubblebath. He said, "I am probably the only person in the world who has gotten to sit right in the middle of you guys when you're trying to sing your best. It's the most awesome quad, man, awesome." I was, of course, comforted to hear that Andy's experience of toiling in our midst was positive. There have been times when I wondered what he must be thinking, and given my own dark turn of mind, my usual assumption is that it's something along the lines of, "What are these idiots doing now?".

Luv,
bear

08/05/2000 - It's so bloody simple

Hey Darlin's;
The Christmas album is starting to become a reality. Scott's been working overtime in the Bungalette, Jeff's been going wild with cool artwork and even cooler spitting noises, I've been toiling in the BassMint, and we've all been huddling regularly at Andy's East Village Little Studio in the Sky to sing, mix, hang, nosh, and enjoy the many street noises and smells that float past the frail membrane which passes for soundproofing. The two main offenders are the frequent ambulance sirens and the falafel joint down the block that hasn't changed the oil in its deep fryer since it opened in the '60's. When this baby hits the racks, it's going to span the emotional alpha and omega, it's gonna take you from fuzzy to funny and back again. It's gonna ooze Christmas spirit like a well-macerated fruitcake. That may sound like hype, but where else would you find the polar opposites of a new heart-wrencher from Scott titled "Christmas Without You", and our own slambang rendition of "You're a Mean One, Mr. Grinch"? OK. Enough with the previews.
For some perverse reason, folks have been seeking out my opinion on the Napster/MP3 issue. I think everyone should take naps when they're tired, and I don't know what MP3 stands for, unless it has something to do with trios of military police, which doesn't sound like a good thing.
Seriously, I think it's all great, but it's way too early to make prognostications about how it will affect the music industry and the artists who give the filthy business its lifeblood. The fact is that, although the biz is in a froth over Napster, their profits have risen nearly ten percent since its introduction. In case you didn't know, that's an enormous number. It represents millions of dollars.
Why do I think it's wonderful? Well, let's backtrack a bit. The only difference between the record industry of today and the record industry of thirty or forty years ago, aside from CD's replacing vinyl, is that payola comes through middlemen, rather than the labels themselves. Most everything you hear on the radio, see on MTV or the big, glossy displays in record store windows, has been bought and paid for by the major labels. What does this mean to you, the listener? It means that the labels determine exactly what you will hear and see. They are basically defining your tastes for you by controlling what you watch and listen to.
MP3 and Napster have been called the 'new radio', and the industry is tearing its collective hair because they can't control it. Artists who have been backburnered or ignored by the labels now have a chance to be heard and, even worse, distributed, outside the control of the labels. This means that, for the first time in the history of the nasty biz, you can choose what to listen to. Culture, such as it is, has a chance to flourish outside the iron-fisted patronage of the labels. It's making them crazy. That's why they're screaming about the piracy issue, and why they're being endorsed by a herd of label-sponsored artists.
Realistically, I don't think any of us as artists can't expect to get mauled at least somewhat by piracy, and out of respect for the above mentioned artists, it's probably fair to say that the bigger you are, the worse you'll get mauled. If you're old enough, you can recall this issue having been the battle cry when cassettes were introduced, when VHS tape showed up, when DAT tape was invented and when CD burners appeared. In each case, the new media, instead of depressing sales of music and films, caused accelerated growth. More people bought more product. You'd think by now that we'd have gotten wise to this argument. Nope. The equation is simple. Exposure=sales. Everyone benefits. That's precisely the sort of win/win situation the labels can't tolerate. Too much diversity. Too many people making up their own minds. Too little control of the marketplace.
As the Web expands, there will be more and more discussion/war about what constitutes 'intellectual property' and how to protect it. The incendiary issue isn't the rape of intellectual property, per se. What is truly explosive is the injection of the technology that makes proprietary intellectual property widely available into a culture that, in general, does not respect it. We are a culture of takers, swipers, burglars, promise-breakers, oath-ignorers, opportunists and predators who, when given the slightest advantage take it for all it's worth. We operate in this mode at the corporate, political and personal levels. In order for Napster, MP3, or any future technology (and they're rolling down the pike right this minute) to enrich the culture rather than plunder it, there must come a paradigm shift in the way we regard and treat art and its creators. It's so bloody simple. And so incredibly difficult. But most importantly, it's not impossible if we take responsibility for our own predatory transgressions, cease to believe in the 'something for nothing' fairy tale, and begin looking at art and artists as an important element in our societal scale of values. Then all this cool stuff might work, and we'll all be the better for it.

Luv,
bear

06/24/2000 - Who'd a thunk?

There's a place down South that looks like a bio-dome experiment gone horribly wrong, conceived by a committee of morons on controlled substances with a congenital hatred of travelers. It's one of maybe three hotels in the world that can be seen from outer space, the other two being in Las Vegas. This experiment in mass misery and olfactory insults is called the Opryland Hotel. I guess its designers figured that, in order to attract tourists to one of the most miserable climates this side of Madras, it had to create a habitat in which folks could wander about an Edenic, pleasantly climate-controlled, labyrinthine indoor arboretum, replete with faux streams, waterfalls, and lots and lots of hotel rooms. What they got was a stunningly malodorous, stiflingly moist maze baking in the Tennessee sun, full of dazed and weary conventioneers, shlepping suitcases and worriedly consulting minuscule indecipherable maps in the hope of finding their lodgings.
My room, once I found it with the help of GPS, a compass, astrolabe, and a few helpful non-English-speaking guides, boasted a verandah which overlooked a turbid, fetid indoor brook and the sweaty tops of people's heads as they meandered morosely by, lost. The whole place labors to recall the charms of the Old South. Sheesh. I bet that the Old South never smelled that bad.
Down the road a piece, as the charming locals say, is a mall, with the original sobriquet "Opryland Mills". Amazingly, if you have the patience to brave the by-now-ubiquitous chain stores, there's some great local stuff, which I had previously thought to be outlawed in malls. Most of these temples of consumerism have nothing but the hard-core chains, you know, the ones that seek to garb and nurture us all in regimented coolness. This place actually had local produce, clothing, and food specialties. How great. My fave was "Dicky's Pit BarBeQue". Damn that was good. Honest to god barbecue in a food court. Who'd a thunk?
Quick cut: Grand Central Station. The Vanderbilt Ballroom. A beautifully restored, huge, echoing space just made for gala occasions. The Obie Awards. No, not those Obie awards, the other Obie awards. Nope, not the Off-Broadway awards, but the ones for billboard advertising. We foolishly assumed that we would be singing for all our show biz buds, but it turned out to be a bunch of ad hacks intent on shmoozing, boozing and ignoring us. It's been a long time since we were ignored, and it brought back memories of the bad old days when, as a quartet, we strolled amongst the revelers at wedding receptions, wearing tux jackets and doofus bowties, singing barbershop standards to overdressed, overfed drunks, getting cheap champagne flung at us and being picked on by every ill-tempered maitre d' in the tri-state area. Back then it was 'paying dues'. This time it was a stroke of good fortune, since the producers of the event had hired a sound company that would have sabotaged anything we tried to do anyhow. These yutzes musta studied at the Feedback Institute of Electrosonic Bumbling. When both of the miserably configured PA systems in that festively decorated cavern decided it was time to fritz, I haven't seen a bunch of gear-humping pseudohippies take on that 'deer in headlights' look faster since someone circulated a bunch of bad acid at Woodstock II. Which in retrospect is perhaps just as well, since every time one of these idiots put his fingers on a button, they only made things worse. Sometimes it's good to be ignored.
This morning was travel hell. Zool was doing backflips and cartwheels, and Cranky Phil was about to commit an atrocious act against one of those programmed, bovine agent-bots at the departure gate. We were cheerily informed that our plane had been 'downsized'. Now this is as pernicious a use of a piece of Orwellian corporate doublespeak as one could imagine. I had images of a chain gang of stubbled thugs on a work-release program, out on the tarmac with chain saws and arc welders, downsizing our plane, chopping out the middle section, tossing seats about willy-nilly and then welding the whole mess back together, 'downsized'. What ensued was something between a scene from a Filene's Basement sale and an embroglio in Dante's Purgatory. As with most American melees, the first thing that went by the boards was civility. Normally courteous grandmas were using their walkers as weapons, trampling the more able-bodied in their mutinous rush for the jetway. It was ugly.
I kept wondering what it would be like if other businesses operated the same way as the airlines, over-selling their product and shafting the customers. I can see it now: (Hospital PA system) "Attention! Our 6 a.m. surgery has been oversold. Any pre-op's willing to postpone will receive a discount surgery coupon, good for one year. All emergency appendectomies please form a line at the nurses' station for rescheduling, but we can't guarantee that we'll get to you today. We apologize for any difficulties this may cause, including your death." Or how about a fancy restaurant? (waiter) "I'm sorry sir, we've downsized your dinner. Due to cost overruns, mechanical difficulties, and a wildcat strike by the kitchen staff, your repast will be 60% smaller tonight. And no, you don't pay less. Do you want to eat or not? We'll be happy to give your meal to someone else." Or the final insult: "Your meal has been canceled. No, we don't know why. Now go away."
See, 'downsize' is a silly euphemism for 'ripoff'. Or it could mean 'fired', as in axed, let go, canned. "Clear out your miserable cubicle. You've been downsized." This ridiculous circumlocution is exceeded in sheer, bald-faced chutzpah by "rightsized". "Our company has been rightsized! We've trimmed that fat, gotten rid of that top-heavy operating system, punted all those lifers who were getting a little long in the tooth and drawing way too much salary. Now we're just right. We've replaced all those dinosaurs with fresh, young MBA's with no clear sense of self and an avarice that would offend Croesus." As you can plainly gather, dear diehards, I would never be able to function in a corporate environment. Besides, it's a well-known fact that wearing ties cuts off circulation to the brain.
And speaking of diminished mental capacities, it's time for Stupid Bass Tricks! Had a great show at the Chicago House of Blues, but forgot my pitch pipe. First time. I used to have a spare, but I gave it to Scott after he lost El's. I mean, we use so little gear. What does it take to remember a pitch pipe? More than I've got, evidently. I wasn't even wearing a tie.

05/27/2000 - Baleful imprecations of Zool

The unthinkable has finally come to pass. There we were, supposedly safe in the sacred confines of the zen live room of the famous Polywog Recording Co., mighty Andu's glabrous visage floating serenely above his keyboard. We had just completed a near-perfect take of one of our Xmas songs. Andu pressed 'play', and we were stunned into immobility by a borborygmos loop of indecipherable incantations which wouldn't go away, even in the face of incense, chanting, temple bells and Ben & Jerry's. There was the waveform on the screen, and it looked exactly like what we thought we had done. But the garbage coming out of the speakers made it all too clear that Zool was with us. The powerful protective juju around the studio was somehow compromised by his baleful imprecations, and he had managed to insinuate his carking, sniggering, verminous self into the bowels of the platinum Mac.
I'm flying down to Haiti next week to huddle with some experts in the black arts about exorcising recording studios. We thought he was only with us on the road. This is a dismal turn of events, considering that we have just launched ourselves into this Christmas record. Now that I think back, it's probable that Zool was behind Hurricane Floyd, the flooding of the BassMint, and my mixing board exploding.
My theory is that the Evil One went bananas at the thought of us putting out such a cheery, heartfelt opus and he's afraid that the balance between Good and Evil will shift, permanently and oppressively, to the side of The Light. He's doing everything in his vast and destructive power to subvert our efforts, including hiring Zool as his part-time goon, and it will take a string of miracles to bring this puppy home. Some of the sabotage has the outward look of sugarplums: pernicious stuff like tv shows being dangled in front of us which seem too good to be true (I can't talk about them yet, anyway) which would throw our production schedule mercilessly out of whack.
There's the catch, see. To take the time to do all these things would jeopardize that record. And that's just what the Dark Lord wants. Do we turn our backs on massive media exposure? Do we walk away from the notoriety we can't even pay for? Of course not. We flay ourselves trying to do it all. We pound ourselves to ground round in the doomed attempt to bilocate. We exhaust our meager personal resources, cut back on workouts, increase the caffeine intake, suffer voluntary sleep deprivation, just to make it all mesh. And Zool pats himself on his gnarled, humped back and grins.
Yes, it's an exciting time. And I am severely amped-up around another splashy NYC hype-and-glory plan. To add to the further Disneyfication of Times Square, the National Rifle Association is planning to open a restaurant cum shootemup arcade in that entertainment epicenter. Wow! Just think of the possibilities. Hunt for your dinner, right in the neighborhood! On any given day, there must be tourists from at least sixty different countries within a four-block radius! Just grab your restaurant-supplied AK47 and bag you some grub. You drag it in, they'll cook it. It's all the more fun after throwing down a few shots at New York's only for-real shot bar! What could be more fun for the whole family than an afternoon of drinking and shooting! And if it's raining and all the live targets move indoors, there's always the arcade, where you can spend untold fun-filled hours drinkin' and shootin' at high-rez simulations, gettin' yer blood up and blowin' away dem sumbitches who're out to defile the Second Amendment. Yeah! It's a party. Just think of it - an entertainment emporium offering a vast array of mental/emotional anesthetics! From the mind-numbing pap of Andrew Lloyd Webber to the soma of mindless maximum violence in the name of God and Country, and it's all in one, easy-to-reach location.
This is a great nation. I've even coined a new descriptive term for us. We're a 'projectophilic' culture. We love our projectile weapons. To death. The power, the heft,the feel, the noise, the flash of light, watching the target collapse - we're giddy on guns, high on the feel of a hot load in a full metal jacket. We are head-over-heels, deeply, romantically entangled with our guns. Of all the arguments against unilateral civilian disarmament, this is the only real one. The rest is pure, hypereliptical hokum. There are lots of democratic, civilized countries which, for some unfathomable reason have been able to maintain their civilized, democratic status without a citizenry armed to the teeth. I don't know how they do it, and it's chilling to think that those countries might be compromised at any moment by a well-armed foe. How do those people sleep at night? Don't they realize what terrible jeopardy their freedom faces as they slumber? Guess not. Now we projectophiles, on the other side of the barrel, dream sweetly, our freedom guaranteed by a mighty mass of deeply beloved blue steel and cute little chunks of lead, all in the hands of public-minded, super-patriotic, God-fearing freedom fighters, led by an actor who thinks he's been canonized. Uh, better make that 'cannonized'. Now that is slick.

05/13/2000 - Who Wants to be a Human Being?

I have a dynamite idea for a game show. I've been trying to peddle it to the networks, but so far they've all showed an absolutely paralyzing lack of enthusiasm. They say, "Interesting concept, but we can't touch it. It would never work".
The show's called "Who Wants to be a Human Being?". Catchy, huh? There are some obvious flaws, but I'm sure they could be fixed. The most glaring problem, according to the network execs, is that contestants aren't rewarded with showers of money. As one bigwig put it, "You can't expect people to get off their butts for such an airy-fairy reward like helping other people or feeling good about themselves. They want money; easy money, free money, and lots of it." Gee. I hadn't thought of that. Or as another highly placed suit said, "Who wants to be a human being? I'll tell you who. Nobody, that's who. Besides, who wants to be a human being when you can be a millionaire instead?" I guess I hadn't counted on that one, either.
Undeterred, I am trying to sell the show to cable. Maybe cable viewers are a smidge less venal than network watchers. Probably not, but I'm grasping at tiny, insubstantial straws at this point. I think it's a great idea. I'm sure that a few people out there want to be human beings. Got some great questions for the show - all multiple-choice, of course. Like this one: The Golden Rule means: A. Whoever has the most gold when he dies, wins, B. Gold rules, C. Do unto others before they do it unto you, or D. Do unto others as you would have them do unto you. Pretty nifty, no? Or this: One of the most important thing in life is: A big house, B. An SUV, C. A Rolex, or D. relationships. Not many folks would get that one, I'm sure. Here's a tricky one: A child feels secure when he's: Slapped, B. Severely beaten, C. Hugged, or D. Screamed at. I dunno. Call me crazy, but I think I'm on to something here. I'm just not sure what.
I've been getting some pretty amusing email lately. Different from the usual kudos and questions, and it's put me in something of a quandary. What do I say? I like to answer people when they ask questions, especially intelligent questions about music, vocal technique, food or motorcycles (or nearly anything else; the operative word being 'nearly'). But a few I've received recently are just a little over the edge, and plummeting onto the rocks of my well-deserved sarcasm. Remember that the word sarcasm has it's roots in the Greek 'sarcast', which means 'tearing the flesh'.
So how's this for a cretinous ort of sophomoric japery: "Me and my friends have started an Acappella group and believe we have something special. We believe we might even be better than you. We have a song dead guy jamboree, which is really good. If you have any suggestions on how we can get our big break contact us. We love you guys, but not that way. Not like you guys love each other." Lovely. This was quickly followed by: "Hi! I love you guys. Have any of you tested the gay waters? If you haven't, you probably should. Especially the big guy. I made up a song called Dead Guy Jamboree. Will you guys give us some advice on how to become acapella stars."
Now what do you make of that? I mean, great if there's better than us out there, and I really don't care what people call me. After a lifetime in the music biz, my ego is as calloused as the horny palms of a jackhammer operator. But how weird is that? Jam a guy up and then ask for advice. Some kinda bizarre reverse hero-worship hetero guy thing, I guess. Either that or I'm gonna hafta get a carry permit.

05/07/2000 - Ooooo the chase

Kevin has never gotten over not having been on Carmen Sandiego. He always wanted to be a gumshoe. Last week in LA, he finally got his chance. While I was fumbling about the pretzeled freeways of my hometown, the boyz were sitting in the eternal jam-up on the superslab in the downscale outlying burb of El Monte. In the adjacent lane a pickup decided to fuse it's bumper at high speed to the car stopped in front of it. As soon as the flying fragments of glass, chrome and plastic settled to the blacktop, the occupants of the truck bailed and ran down the nearest exit ramp. Well, that got Kev's blood up. As soon as he had a couple inches clearance, he mashed the accelerator and sped down the ramp in hot pursuit. Oooo The Chase. The quickest way to become invisible in a car in Los Angeles is to pretend you're playing 'dodge 'em' and forget that your vehicle came from the factory equipped with turn signals. Kev became invisible, and within a couple of blocks the footracing felons were actually lagging behind him. Luckily, there were a couple of LA's finest, protecting and serving in a nearby Denny's. Ol' Kev breathlessly informed them of the smasho the fleeing perps had just created, and two minutes later they were face-down on the sidewalk, cuffed and Miranda'd, and Kevin was feeling like he'd finally earned entrée to the tec pantheon of CSD. One of the cops took him aside after oooo the chase and said, "you're not from around here, are you?" After all, LA is a vast expanse of rolling steel, and vehicular accidents are so commonplace that most Angelinos don't even notice them, even when they're involved. But if you honk your horn or cut them off, they'll shoot you. Go figure.
As we ratchet madly between skank and swank and back again in the lodgings department, it seems that Zool has become a permanent glitch in our collective navigational system. Cranky Phil, who has rejoined us as road manager, wrangler, and towel boy, seems to have had a magnetic North meltdown when it comes to directions. Even El, who is usually Mister MapMan, guided us into the middle of nowhere with the same sureness he finds his way around his native Manhattan. Poor Phil is having these odd directional brown-outs. He'll give us most, but not all of the directions to somewhere, leaving out small but crucial details that have us resorting to intracar cellular fracases in often vain attempts to rescue ourselves. Now if we were a real band, we'd all be on a big bus, and we'd have a professional driver getting lost for us. And Zool would be smiling his wicked, pointy-fanged, scabrous smile and doing a little jig. By now he must have an entire library of gold-star-filled volumes, and enough brownie points to be the Evil One himself.
After our show this evening, during the meet-and-greet, a young gent in full prom regalia poutingly mentioned that we hadn't performed 'A Change In My Life' during the show. It got me thinking. Nope, we didn't do that song this evening. Nor did we do about eight albums' worth of other songs, or five seasons' worth of CSD covers, or numerous songs we've learned for special occasions, or Happy Birthday or The Star Spangled Banner or any number of barbershop standards I've completely forgotten. It seems that someone is always disappointed that we didn't do a certain song or songs during a show, songs that they especially like from one of our records. It's hard to bear the disappointment, but it would be much harder to do our entire repertoire every show. It's great that people like our songs so much, and want to hear us perform them live. We wish it were possible to do them all every time we step out (not really), but we'd probably be dead in a week if we tried, and nobody in the group really wants to anyway. So, like, get over it, or come to more shows. (We are, however, kicking around the idea of resurrecting a few tunes we haven't done since 'Spike'.)
And speaking of songs, be on the lookout for yet another hefty confection from us toward the end of '00. Yup, a Christmas album is in the works. It's just starting to take shape, so I can't tell you what will be on it, or what it will look like, save that it will come in a flat, square little box and one side of the disk will be very shiny. As with all of our other releases, it will make a handy trivet or tree ornament. Wrapped in festive paper, it will look small and insignificant sitting under your tree along with all the large, ostentatious boxes. If, like me, you morph into a demi-Grinch immediately after Thanksgiving, you may want to pick up a copy early in the holiday season and use it as Xmas Prozac, sort of an automatic attitude adjustment that helps you make it through the season without beaning sidewalk Santas, fellow shoppers and wheedling children. A daily dose should, if not exactly put you in the holiday spirit, at least let you endure it with a smile and a light heart. Well, that's what I'm hoping for.

Love,
Bear

04/14/2000 - THAT would really make my day

Hey Darlin's!
When I was ejected into this world, slathered with caul and puling at the top of my scrawny lungs, I never dreamed that the event would be celebrated annually. The strange rite of elevating the birth trauma to an occasion for a party has always mystified me. True, I did see some significance in the date when I became old enough to posess a drivers license, intoxicate myself legally, and be prosecuted as an adult. Those were heady milestones in a dreary procession of cheerlessly regular, dutiful fetes, but they didn't become odious until the 'funny' cards began to arrive. You know the ones, like "Oh, is that your cake? I thought it was Rome burning". I think those cards are witless people's sad attempts at making you feel better about your ever-nearness to impending mortality. Listen: they don't work.
One of the nice things about birthdays, maybe the only nice thing, is stuff. Aside from the obligatory sweets and the raucous chorus of Happy Birthday To You, usually you get stuff, and sometimes you even get stuff you want or need. Now at this particular horological nexus, I already have all the stuff I need, and most of the stuff I'll ever want. I'm the stuffmeister. Barring a larger garage and half a dozen different exotic bikes, I probably have enough stuff to get me through the rest of my life. So for those of you darlin's who feel compelled, on or near my impending natal day, to somehow materially acknowledge the joy my mooing has brought you, here's a thought: Take whatever you were going to throw into the great American stuff machine and make a donation in my name to one (or more) of the following instead; Camp Heartland, the American Red Cross, or Save the Children. Now THAT would really make my day.
Glad that's out of my system. There has, however, been a sort of indignant mental boil fulminating for a while, so before it starts to suppurate I have to lance it. Once again the fabulously prevaricating spin artists who brew up our daily dose of media hash have co-opted a term from echtkultur and suborned it to their mass hallucination of pop culture. I feel as if I'm being ordered to abandon every last vestige of qualitative thinking every time one of those demi-ecdysiasts with big hair, a spangly dress, and way too much attitude is dubbed a 'Diva'. Excuse me. A real diva is a woman of truly extraordinary vocal, dramatic, and musical capability who can plant her feet in the middle of a stage, no mic thankyouverymuch, and gut out great music. Maria Callas was a diva. Birgit Nilsson was a diva. Carol Vaness is a diva times ten. These pop singers are not. And I'm certainly not saying that they aren't good at what they do, but divas they ain't.
Maybe the Frankensteinian concept calcified in the mind of some starry-eyed, PR puppy upon hearing one of these singers destroy the boundaries of taste when she trashed a famous Puccini tenor aria at one of those televised industry wanks, after which the egregiously clueless crowd leapt to its collective feet in narcissistic awe. Puhleeze! It takes a near-mystical suspension of disbelief to give a standing ovation to someone trying to pass off KMart as Tiffany's. When an industry built on spin tries to legitimize itself by copping pieces of something real, it compromises the whole system of values upon which culture is based. It's bad enough that we have political hacks who set themselves up as art critics. But this sort of offhanded thievery, this casual plundering of something substantive to prop up something meaningless robs the word, the benediction of any real weight, and tosses us into the nauseating, relativistic stew of lies and half-truths that seem to have become the pole stars of our hyped-up, empty dominant culture. Deconstructing a term that was once reserved for the greatest, most exquisite female voices doesn't achieve anything other than to delude people into thinking that they are accessing something sublime when they are in fact getting more of the predigested pap to which they've been reduced through a lifetime of Barnumesque flimflam.
In retrospect, I suppose I could have simply said that the practice offended me, and let it go at that. But since when have I ever been able to be so detached? I don't know about you, but I feel better now. Thanks.

Love,
Bear

03/27/2000 - We're down to the wire here

Hey Darlin's!
We're down to the wire here, our latest opus about to pop, and it's time to muster the troops. Here's the deal: There's only two ways in this mightily skewed, venal nation of ours to get radio stations to play a song. One is to send all the program directors and their families and friends on an all-expenses-paid vacation to a five-star golf resort in Kuala Lumpur, but that's the Big Record Label way. The other way is to implore you diehards to pester the hell out of your local stations. That would be our way. Maybe, just maybe, some stations will play our single simply because they enjoy listening to it, but there's long odds on that one. It simply isn't the manner in which music, popular music, is purveyed hereabouts. I mean, radio is about stuffing the big labels' big acts down your collective gullet, like it or not. But in the final analysis, the medium has to respond to the listenership if they don't want that listenership to sink like the bloody Lusitania. I think all but the thickest of the thick will have the picture by now, so 'there's one more thing you have to do, and you know what it is.....'
Being back on the road with a new road manager hasn't changed our collective travel karma one iota. I think that Zool, feeling jilted, cooked up some sort of juju for the one who would fill his capacious cloven-hoofed kicks. Our new road manager, on his virgin voyage, somehow had the multiple misfortunes of having the airline lose his luggage, having a harried van driver take off with his computer (containing all our Vital Information) aboard, and having some snarling rent-a-car agent at the sadistically designed Denver airport lose our van reservation, all within twelve miserable hours. This furious onslaught of rotten luck, culminating in our state of temporary van-lessness, caused us to rent a limo in a blind panic to get to a radio station at suck o'clock in Colorado Springs. The terminally hopeless traffic and concatenated timing setbacks ultimately forced us to cancel a television appearance later the same morning back in Denver. During one existential moment in the limo, stalled in an eight-lane embolism, we swore we could hear Zool chuckling malignantly in the diesel staccato of the semi's surrounding us.
There's something stuck in my craw these days. Not uncommon, you say. True, say I. I'm sure that the subject has been articulated by better informed, better qualified individuals, much more succinctly and with a lot more careful research than my shoot-from-the hip flippant little tirades. That has never stopped me before, and it's not going to now. The thing that more than irks me, that fills me with an unbearable weltschmertz, is the way our society treats its young. Why do you think we have an entire country of dysfunctional adults? They were covertly and systematically crapped on as children. I'm not talking about the sickeningly vast number of kids who are overtly abused, nor am I referring to the alarmingly huge and growing legion of just plain unwanted, abandoned children. Let's not even go there, cuz sobbing over the computer just makes the keys stick. If I hear one more 'baby in a dumpster' story, I'm going to puke. Let's stay with the millions of kids who are growing up to be our next generation of angry, unfulfilled, ever-hungry consumers; the bricks and mortar of our glowing economy. Why are they so angry? Well, every day of their young lives they've been spoon-fed the Great Lie: Having Lots of Things Will Make You Happy. C'mon. What happens when you have all the stuff that's supposed to guarantee happiness and you're still miserable, disenfranchised, spiritually anorexic? You realize that you've been lied to, you've been had in a big way, and you get really angry. Duh. And in this great land of ours, we're shown repeatedly and incessantly a very particular model for conflict resolution. Any guesses? You got it! Shoot someone! That's your sacred right as an American. The growing tide of youth violence in this country didn't come out of nowhere, and it's not an inexplicable phenomenon. What is inexplicable, and unforgivable, is our resistance to looking at its real causes because they threaten our economic prosperity. It's a sort of morality play in reverse. When the prosperity is built on the broken spirits of our young, we can't enjoy it. And we blame them for being angry and ungrateful in the middle of such prosperity. Such is the law of paradox. Just invert this strange equation and you have the anger of the have-nots. Like any equation, it works in reverse with the same deadly efficacy.
I know, I know. I sound like I'm coming unraveled. I am, but it's sort of a relief, actually. Oh, and by the way don't forget to snag our new record. It might make you happy. And that's not a lie.

yrz,
Bear

03/05/2000 - It was just like the game

I played the coolest video game last night. I had this bitchin weapon. It was a gun, like, but it had a rocket launcher, a grenade launcher, a high-caliber machine gun, a shotgun, and a flame-thrower. It was soooo cool. And it was all 64-bit, so it was way real. I mean, I blew guys' heads off, gut-shot 'em, torched 'em and watched 'em burn, blew off arms and legs and watched as they flew through the air trailing gore and spattering blood on the heap of corpses I was piling up. Some I just maimed so I could watch 'em jerk around on the ground and bleed. Got the highest score with the rocket launcher. I could blow up a whole bunch 'o baddies with one shot, and I did it in slo-mo so I could watch 'em die in detail. It was so exciting. All the ammo I wanted - never ran out. Sure, I got hit a couple times, but that didn't stop me. Just a couple nasty nicks. Didn't hurt or nothin'. The hand-to-hand stuff was great, too. Had a Glock 40mm, a big ol' nasty knife with three blood gutters, and a riot baton that I used to bash guys' heads in. I couldn't believe how real the sound fx were, too. I mean, I stabbed this one guy about a dozen times, and each time I could hear the gushy sploosh of the blade twisting in his guts, and when I broke his skull I could actually hear that wet, cracking noise and see his brains ooze out on the street. I coulda played all night, but I got tired, so I went and watched tv for a while. I saw three guys sprayed with an Uzi, an accidental beheading, four brutal beatings, several car chases with wrecks and explosions, about a dozen handgun battles, a plane crash, and a few choice dismemberments from swordplay. Then I got tired of the cartoons and switched to network programming. It was about the same, except for the televised executions from various parts of the globe.
It got me thinking that it would be so cool to take one of Daddy's guns to school and whack that little bitch who called me a name yesterday, so I did. It was just like the game. Cool.
Gun control? Nah. Too controversial. How about a little common sense when it comes to habituating kids to extreme violence? Nah. There's no money in it. Besides, gotta sell those action figures. Well, it's been swell. Gotta get back to the game. I'm getting real good at it.

02/23/2000 - I obsess over stuff

Down-time is not necessarily a good thing. Too many opportunities to think, let my normally twisted psyche run amok, stew in it's own fermenting juices. I obsess over stuff I would usually dismiss with an eye-roll and a sarcastic huff, embroider ideas that should simply be riffled through and discarded as inane, but my qualitative mechanisms are self-corrupting. The longer I'm left to my own devices, the sillier things become in the relativistic world of my inner sanitarium. My discriminatory faculty, a weak and underused piece of my psyche, becomes a vestigial encumbrance, and before I know it, I'm afloat in a sort of null-gravity of my own manufacture; a mapless wasteland, a Bermuda Triangle of the soul. Sort of like being lost in New Jersey, but it doesn't smell quite as putrid. Just the insubstantial psychic afflatus of overblown, undernourished thoughts wafting across my sensorium.
Here's one such drecklet that persists at the edges of my consciousness, fed by pernicious images from network tv and blurred by an unfortunately persistent idealism:
Since politics in America and World Federation wrestling have already commenced their unholy alliance, why not go the next step, and have them merge completely? It would be more entertaining, for sure. We could do away with the whole boring pavane of primaries, caucuses and general elections. Get it over fast, ya know, with lots of hooting and hollering, and we could still keep the good parts; the confetti, balloons and purple rhetoric. So no more elections, just wrestling matches. It would be more fun to watch, knowing as we do that none of it's real anyway, and we would all be spared the constant, jarring insults to our collective intelligence. How much more fun it would be, say, if Al and Junior just traded body slams instead of the infantile jousting to which we've become inured. And boy, would we save some serious bucks. After all, we're paying for the show, right? This would do away with all those nasty campaign finance violations; soft money, hard money, PAC's, you name it. Just sell tickets.
I mean, look how close these two forms of heady populist entertainment are already. Wrestlers are bad actors, so are pols. Both work from abysmal scripts. Both take elaborately choreographed dirty shots at their opponents. Both wear silly costumes, indulge in childish fantasy and labor mightily to appeal to the lowest common denominator. Neither does anything real, or of any lasting value. Both carry on in a laughably bellicose manner, hurling poorly conceived invective at rivals and making outlandish claims and promises. Nobody really believes either one, do they? What's that? They do? Oh. I'll ignore that for the moment. Both are surrounded by a retinue of sycophantic supporters, and both keep a stiff schedule of pandering tv appearances and gratuitous photo ops. Both go to great trouble to differentiate themselves from their foes, even though they're all doing the same thing, basically. The only thing that seems to separate one from the next is the carefully confected media mask, and of course both excel at various styles of bloodletting. Let's not forget that both are also generally revered by armies of manic idiots who just happened to part company with their discriminatory faculties, and don't seem to notice or care that the whole show is a charade.
And why stop at presidential politics? Why not overhaul the entire system? I know it's heresy, but I'm tremendously irresponsible when it comes to tradition. Take Rudy and Hillary, for instance. They're about the same height and weight, so the match would be decided on the moves. Cantcha just see it? Rudy in his little black uniform, with the cute little armband and his fake toothbrush-style mustache, and Hillary in her Ice Queen getup, sorta like a dumpy Xena with a streak job and an agenda. The whole New York senate race could be over in a few bloody minutes, instead of months of excruciatingly embarrassing tit-for-tat colloquy and kindergarten feuding. We'd have some honest entertainment, by Jove!
This changeover wouldn't have to be tough. Sure, there would be some weeping and wailing from the getgo from the hacks clinging to the old way, but media exposure and ratings would carry the day, as always. We could start with the big party nominating conventions. Simply substitute a wrestling ring for the rostrum and you're halfway there. The crowd is the same.
There. See what I mean? You'd need a couple gallons of turd polish to make this one bright and shiny. Yet I persist. Rub rub rub rub rub. Nope. It's still what it is. Darn.

Love,
Bear

02/02/2000 - It's soup!

Hey Darlin's-It's soup! Yesterday we mastered the newie, and I've been walking on air (and about a foot of freezing slush) ever since. I'm sure that's due, at least partially, to hearing the entire album on a hundred-thousand-dollar sound system in a perfectly tuned room, which is an experience you should all have once in your lives. But the real deal is that this record kicks like a mad mule. I don't want to indulge in too much hyperbole. I'll end up sounding like your basic snotty Manhattan waiter describing the lunch special. And listening to an attitude-laced recitation of the menu is definitely not the same as tasting the food.
Lemme say, however, that your patience is about to be rewarded. I wish I could send all of you copies right now. But JBird would get incredibly irritated with me, and I have no wish to alienate the folks we are having such a lovely relationship with. Icky grammar - sorry. So in just a couple short months, about the time the crocuses start poking out of the ground, R2 will start poking out of your local musicmart. Hopefully you'll be able to hear some of the tunes on the radio a couple weeks before the CD hits the racks, but I know you won't tape them off the air, right? Yeah.
Our next big challenge will be getting some of the songs ready for live performance. Jeff is already cross-eyed trying to figure out how he did what he did and how to do it live without herniating. For me, it's a no-brainer. Bum-de-bum-de-bum is what it is, live or canned. I'll let the other guys fret. That seems to be a common quality among basses-all three of us. What? You don't know the other two? Neither do I. Well, we're a fairly taciturn bunch, and we try not to get worked up unnecessarily. That means ever. I mean, sure, I have a hair-trigger, as my dear colleagues are ever ready to point out, but it's a really thick hair.
I think they first noticed it one night when I slammed a huge oak door after a miserably frustrating experience with an inept, third-string, bargain basement sound company, and I slammed with such elan that the door simply fell off it's hinges. Me, I blame the hinges. But I have been known to go off for various supposedly illogical reasons which nobody seems to understand. If I could illuminate my own dark landscape for all to see, my actions would come as no surprise to anyone. In fact, most would wonder at the extent of my self-control, given the generally rocky state of my id. The Maginot line of my psyche is regularly rolled over by the Panzers of my emotions, and my critical faculties become prisoners of war. Now I realize that's a dumber-than-dick metaphor, but it's also apt. So sue me.
I'm straining with all my puny might to stay away from political commentary. Richard Strauss (ya know, the composer) said that music, indeed all the arts, should be above politics. He should know. He stood up to Hitler and won. But I get such a kick out of the tawdry side show that is our political landscape, I find my fingers following my funnybone rather than my brain bone. The question I keep asking myself is how did we end up with such a broad field of losers for our top job? Whether you opt for a dynastic sycophant, a 'droid in a suit, a shrilly militant half-pint, a hoopster gone to seed, a shill in a zillion-dollar suit and a bad comb-over, or a milquetoast parrot hardly matters. What counts is the spectacle, the outlandish, unfulfillable promises, the diversionary, grammatically-challenged rhetoric, the bold thrust-and-parry of the point men for puzzlingly anachronistic, atavistic movements, all of which claim to be the veritas vox populi. What am I missing here?
Given a certain sour perspective, it makes perfect sense. As a culture, we regularly and faithfully pillory original thinkers in government. So the laurels go to those willing to take up the banner of failed policies on both sides of the fence, and forge deeper into uselessness. It's weird. Start up a new 'dot-com' enterprise and retire to a life of monied ease in six months. But suggest a new political concept and whoever's ox is gored will pitch such a tantrum that you'll probably have to eat your words, apologize to the bleeding ox, and quickly retire to bodyguarded obscurity. Kinda discouraging.
Maybe that's why I ended up in music, where innovation carries a penalty, but it's not quite so punishing. We're still snubbed by much of the mainstream, but there's always the outside chance that success lies within our reach. Instead of sexism, ageism, and racism we deal with instrumentism. No guitars? What the heck is it? How could it be any good? And more to the point, will anyone listen? I know that you know the answer to that one, and I won't insult anyone's intelligence any further by stating the obvious, even though that's what I'm best at. In a predictably elliptical way, I've come full circle, back to 'R2'. Will we be slapped or stroked for this one? Since we have no control over that, it's silly to sit around waiting for the industry to react. Suffice to say we've done our best, and the rest is up to you.

Love,
Bear

Copyright © 2000, Barry Carl

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Broodings from Bear - 2002
Broodings from Bear - 2001
Broodings from Bear - 2000
Broodings from Bear - 1999
Broodings from Bear - 1998
Broodings from Bear - 1997

Last update: December 23, 2000
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